Despite these contradictions, Jody Marshall was a man who was loved absolutely because he was true to himself. He was aware of the rules but often rebelled against them. He wasn’t independently wealthy but if the bar needed a round of Goose or Tito’s, he had the bankroll. He was a dapper dresser but preferred a durag and Levi’s. He had a cell phone but often avoided calls. He was the Captain of his boat but often ran out of gas. He was a parent but often needed his own chaperone. He was an adult by age but mischievous like a teenager. Although a cliche, he loved Chris and Amanda so much that his heart truly overflowed in front of everyone.Īs a man, Jody was a series of contradictions. Always animated, Jody became even more so because he was so energized when he was around his kids. Jody seized these moments to captain a boat with his kids aboard because he knew the value of memories made, especially cruising along with his two favorite humans, no clock, and no destination. No matter how far his adventures took him away from here, he always found his way back to THE River and shared this love with his children, Chris and Amanda. It is where he fished, floated, and fostered relationships. Lawrence River in his view, Jody understood early her beauty, her power, and her ability to offer us a water playground unequaled by any other. Simply put, he embraced life and love with unparalleled enthusiasm. His laugh was beyond contagious and his storytelling was always entertaining. For every single day, he loved those he loved with his whole heart, played with an unlimited zest for adventure, and was gifted with a sense of humor that was both uninhibited and uncensored. And if there’s one thing Jody Marshall was not, it was insignificant. because life is really too short to be insignificant. the world belongs to those who dare to go after what they want. MORRISTOWN, New York (WWNY) - Charlie Chaplin once said. Even though Elizabeth McGovern is a star, the movie needed more than her.Born January 15, 1960, Jody resided in Brasie Corners at the time of his death (December 4, 2023), but he always considered Morristown home. I watch you for your drama, heartache and all-around amazing quality content, but I expected more from The Chaperone. PBS, I love you, but don’t settle for anything below your highest potential. I wish there were more substance to the movie - especially since it’s based on a true story and there’s no way the conflict could have been that clean in real life. Despite everything that happens in the movie, everyone somehow ends up friends again. The 20-year flash forward at the end is sweet but wraps up the loose ends a little too neatly. But, like the other potential plot lines, it fizzles out too. There’s one twist in the movie that’s pretty unexpected. While the 1920s aspect was fun, it needed more glitter, glam and scandal to be enough. The movie is slow and doesn’t have a real climax. You’d expect some sort of scandal within that plotline, yet nothing comes of that either. Elsewhere, Louise and her male (married!) dance teacher flirt and seem to have some sort of connection. But nothing really comes of it - there’s no conflict, nothing juicy. In fact, lack of twist seems to be a recurring theme throughout the film.įor instance, Norma is adopted, and the movie spends a lot of time on her search for her biological family in New York. While Norma and Louise’s relationship is sweet at times, the cautious-adult-and-reckless-kid power struggle is a little overdone, and The Chaperone doesn’t exactly put a unique twist on the theme. Norma slaps some reality back in her and tells her to “just get on a train and go!” The film flashes 20 years forward at the end, and Louise is washed up, back in Kansas and doesn’t want to perform anymore. But by the film’s end, Norma is more open and supportive. At first, the chaperone is standoffish and wary of Louise’s crazy and reckless spirit. Seeing Norma’s character development throughout the film is enjoyable. The dance scenes in particular are some of my favorite parts, with Louise twirling and dancing around. The movie’s Jane Austen-esque ambiance is beautiful, with its pastel dresses and light piano music.
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